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    Central Station
    Central Station

    Central Station

    "Between hope and solitude, two lives cross and reinvent themselves"

    8.1•April 3, 1998•1h 50m
    Drama

    Storyline

    An emotional journey of a former school teacher, who writes letters for illiterate people, and a young boy, whose mother has just died, as they search for the father he never knew.

    Director
    Walter Salles
    Writers
    Marcos Bernstein,João Emanuel Carneiro,Walter Salles

    Top Cast

    Fernanda Montenegro

    Fernanda Montenegro

    Isadora "Dora" Teixeira

    Vinícius de Oliveira

    Vinícius de Oliveira

    Josué Fontenele de Paiva

    Marília Pêra

    Marília Pêra

    Irene

    Othon Bastos

    Othon Bastos

    César

    Otávio Augusto

    Otávio Augusto

    Pedrão

    Matheus Nachtergaele

    Matheus Nachtergaele

    Isaías Paiva

    Caio Junqueira

    Caio Junqueira

    Moisés Paiva

    Stela Freitas

    Stela Freitas

    Yolanda

    Maria Menezes

    Maria Menezes

    Waitress

    Sergio Kato

    Sergio Kato

    Dora's Client

    Soia Lira

    Soia Lira

    Ana Fontenele

    Rita Assemany

    Rita Assemany

    Jessé's Wife

    Featured Reviews

    C

    CinemaSerf

    September 18, 2025
    7 / 10
    “Dora” (Fernanda Montenegro) used to be a school teacher, but now she sits at a table in the station in Rio de Janeiro and writes letters for the illiterate traveller for a few réals a time. She thinks little of a woman and her young son who stop by, except perhaps that he isn’t the most trusting of boys, but when a tragedy promptly befalls this pair she finds herself being asked to write another letter by the young “Josué” (Vinícius de Oliviera) - who’s still fairly suspicious that she never posted the last one! This one is to his dad in a remote town but what is he going to do, alone and penniless, in a city fraught with danger? Despite the fact that she is initially as keen to be shot of him as he of her, the two begin a journey that they hope will reunite him with his father, but that will certainly see these reluctant companions push each other’s buttons as their meagre funds barely stretch to the bus fares. If they ever do make it, what chance they will find and reconcile with his dad, or - for that matter - will “Josué” even recognise this man he has yet to meet? I’ve got to say, I’ve rarely seen a more engaging chemistry on screen than that on display here between these two. Montenegro is a natural - not just at portraying her own character but at gelling, convincingly, with an Oliviera whose mischievous urchin becomes an hugely charismatic personality that grows throughout. The road trip element serves to cement their relationship as you might expect, but it also shows us a little of life in Brazil’s fairly poverty-stricken and undeveloped interior as well as the decency of it’s population. This is a story that tells us of a significant episode in the lives of both of them but it’s incomplete and I found that to work really well, especially as it doesn’t contrive to create unnaturally melodramatic or histrionic scenarios. It’s underpinned by some skilfully written dialogue that provides for some characterful humour amidst the earnestness as they each wise up to the other and the all but two hours provides a personable and entertaining love story that’s poignant and really quite charming.

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    Details

    StatusReleased
    LanguagePT
    Budget$2,900,000
    Revenue$5,596,708

    Keywords

    #rio de janeiro#letter#wilderness#teacher#orphan#railroad#alcoholic#missing parent#long lost relative#realism#child trafficking#death of parent#road movie#bus station#lost child#unwanted child#truck stop#woman and child#lonely woman#train station#letter writer
    IMDb

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