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    The Getaway
    The Getaway

    The Getaway

    "It takes two to make it … The big two."

    7.1•December 13, 1972•2h 3m
    ActionCrimeThriller

    Storyline

    A recently released ex-convict and his loyal wife go on the run after a heist goes wrong.

    Director
    Sam Peckinpah
    Writers
    Walter Hill

    Top Cast

    Steve McQueen

    Steve McQueen

    Carter "Doc" McCoy

    Ali MacGraw

    Ali MacGraw

    Carol McCoy

    Ben Johnson

    Ben Johnson

    Jack Beynon

    Sally Struthers

    Sally Struthers

    Fran Clinton

    Al Lettieri

    Al Lettieri

    Rudy Butler

    Slim Pickens

    Slim Pickens

    Cowboy

    Richard Bright

    Richard Bright

    The Thief

    Jack Dodson

    Jack Dodson

    Harold Clinton

    Dub Taylor

    Dub Taylor

    Laughlin

    Bo Hopkins

    Bo Hopkins

    Frank Jackson

    Roy Jenson

    Roy Jenson

    Cully

    John Bryson

    The Accountant

    Featured Reviews

    W

    Wuchak

    September 27, 2024
    6 / 10
    **_Steve McQueen, Ali MacGraw and others chasing a bag of cash in Texas_** A prisoner in Huntsville (McQueen) is released early due to his wife (MacGraw) making a deal with a corrupt official (Ben Johnson). The cost of his freedom is to head a bank heist in San Marcos with the officer’s questionable henchmen (Al Lettieri and Bo Hopkins). O, what a tangled web we weave. “The Getaway” (1972) is a crime thriller written by Walter Hill based on Jim Thompson’s book and was director Sam Peckinpah’s second most successful film at the box office, after “Convoy” six years later. It was remade in 1994 with Alec Baldwin and influenced soon-to-come movies like “The Outfit,” "Dirty Mary, Crazy Larry," "Thunderbolt and Lightfoot" and “The Gauntlet,” as well as later ones like “No Country for Old Men.” If you like those flicks, you’ll appreciate this one, although it ranks with the least of ’em IMHO. Why? Because the bank job is unnecessarily convoluted, not to mention expensive, with the myriad pre-caper photographs, a cliched last-minute briefing session in a basement, severing electrical cables in the sewer tunnels and even diversionary explosions. Why Sure! Then there’s the curious train station sequence with a convenient con man that’s inserted into the midsection, which I admit is entertaining in a Hitchcockian way. Lastly, despite some amusing bits, the proceedings are shrouded by a pessimistic and ugly perspective. I get that the protagonists are antiheroes, but the film needed more glimmerings of nobility and love, and less murderous venality. “Pulp Fiction” is a good example. Ali looks good on the feminine front and is, thankfully, way less annoying than her character in “Love Story.” Blonde Sally Struthers eventually appears and never looked better at 23 during shooting, but her character is a ditzy turnoff. McQueen would marry costar MacGraw seven months after the movie’s release, but their marriage would only last five years. It runs 2 hours, 2 minutes, and was shot entirely in Texas at Huntsville (prison), San Marcos (bank robbery), San Antonio (train station), Fabens (city street confrontation) and El Paso (Laughlin Hotel). GRADE: B-/C+

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    Details

    StatusReleased
    LanguageEN
    Budget$3,352,254
    Revenue$36,734,619

    Keywords

    #robbery#based on novel or book#texas#heist#con artist#murder#organized crime#on the run#bag of money#gunfight#bank robbery#double cross#neo-noir
    IMDb

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