Mr. Right

LOUISA SAYS: A SCREEN ZEALOTS REVIEW www.screenzealots.com “Mr. Right” isn’t much more than a half-baked hitman romantic comedy. We’ve seen the concept before (think “True Romance” meets “Grosse Point Blank“), but the idea has never been as messy, sloppy and as ill conceived as it is here. Unlucky in love Martha (Anna Kendrick) has her world turned upside down when she meets and falls for gun for hire Francis (Sam Rockwell). Their love story blossoms over killings, knives and gun battles. The script, written by Max Landis of “American Ultra” fame, is just too flimsy to work. I expected more from the writer. Tim Roth and RZA turn in enjoyable supporting performances, but the two leads lend the most starpower. The film features the onscreen pairing of my dreams with Kendrick and Rockwell. The two have an undeniable chemistry, but both actors are completely wasted with this mess. I really, really hope to see them work together in the future in a good movie — they both deserve a far better vehicle than this. “Mr. Right” is a fun idea that’s poorly executed. MATT SAYS: In “Mr. Right,” Martha (Anna Kendrick) has recently broken up with her boyfriend after she discovers him cheating on her. A chance encounter in a convenience store leads her to start dating an unnamed hitman (Sam Rockwell). If those two names — Sam Rockwell and Anna Kendrick — are all you need to hear to decide you want to see this movie, read no further. If you want to see the two of them play off of one another, this will be a meal that is mostly satisfying for you, but leaves you just a little bit hungry for something with more substance. There are probably vehicles that would have worked better for the two of them, but basically, it’s enjoyable enough as a choice for a movie night at home. The highlights: Sam Rockwell’s dancing and dry delivery and the way that Anna Kendrick’s millennial-angsty, world-weary-but-optimistic character plays off of him. Tim Roth’s nameless soldier-of-fortune with inscrutable motivations. The rent-a-thug Steve (The RZA), who is nothing if not pragmatic. The lowlights: a terrible script that tries too hard to shoehorn a hardcore action plot into a film that works well enough without it. It’s readily apparent why this movie didn’t get a wider theatrical release. I enjoyed seeing it, but ask me a month from now and I’ll barely remember it. **A SCREEN ZEALOTS REVIEW www.screenzealots.com**

> A hitman with the 'killing is wrong' attitude. Something is not right for 'Mr, Right'. It is not an event based action-comedy or something like man meets woman romance-comedy, but very random presentation. Where it begins and where it ends, you can't clearly say it is a well written script. The actings were decent, but the scenes aren't overwhelmingly impressive as it should be. Directed by 'Neon Flesh' famed filmmaker, after that film his other projects weren't up to the standards including this one. It is written by the one who was behind the 'American Ultra'. There's a strikingly similar between these two and you won't deny if you had seen them. Especially Anna Kendrick's character to what the Jesse Eisenberg was in that film. If we go deep, Sam Rockwell as well might fall into the same category to what Kristen Stewart was. At some point, one of the film characters mentions the same secret project. So I think it is the same universe and a spin-off. Sam-Kendrick combo was the highlight of the film. I hope they would do some serious subject together in the near future. The action sequences were good, other than that it's not funny at all or romantic. That means I did not enjoy it because the theme did not work for me which I felt very common these days. So it failed because of the lack of innovation and proper development, but the overall film was not bad if entertainment is the main agenda. I know there are audience for it and they will back it. I won't stand between you and your watch if you want to try it, I just say be careful, that's all. 5/10

Okay, so Mr. Right is a different sort of romantic comedy! It starts with an original idea: a hit man undergoes a personality change due to an injury, so that instead of carrying out hit jobs like previously, he decides that “murder is wrong “ and so, not seeing the obvious irony, he kills those who order the hits. We also meet Martha, a single gal coming off a bad break-up (isn’t everyone at the start of these movies?) and the two of them gradually make a connection. Against all odds, it seems, given his mental state, he treats her quite well. Their banter is witty and intelligent, with some humor coming from him telling her exactly what he does — kill people — and she naturally thinks he is kidding. She has her own surprises for us later, but I will give nothing away here. As I have noticed with a few other movies lately — mostly action films, such as Nobody — there is a ridiculous amount of violence here, almost cartoonish at times. I invented a new genre for them :Bodybag movies. I guess if some viewers require such excesses, who am I to complain? I enjoyed this movie anyway. I like that he is always polite and considerate to his new girlfriend even under extreme and dangerous situations. And you know how it is neat when characters display personal growth? The surprises that emerge concerning Martha that I alluded to above are part of a rather astonishing bit of character growth for her. Or is ‘growth’ the wrong word?. But no, my lips are sealed. Watch this entertaining comedy and see for yourself.