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    The Garment Jungle
    The Garment Jungle

    The Garment Jungle

    "The Whole Naked Truth"

    6.4•May 1, 1957•1h 28m
    DramaCrime

    Storyline

    Alan Mitchell returns to New York to work for his father Walter, the owner of a fashion house that designs and manufactures dresses. To stay non-union, Walter has hired Artie Ravidge, a hood who uses strong-arm tactics to keep the employees in line.

    Director
    Vincent Sherman
    Writers
    Harry Kleiner

    Top Cast

    Lee J. Cobb

    Lee J. Cobb

    Walter Mitchell

    Kerwin Mathews

    Kerwin Mathews

    Alan Mitchell

    Gia Scala

    Gia Scala

    Theresa Renata

    Richard Boone

    Richard Boone

    Artie Ravidge

    Valerie French

    Valerie French

    Lee Hackett

    Robert Loggia

    Robert Loggia

    Tulio Renata

    Joseph Wiseman

    Joseph Wiseman

    George Kovan

    Harold J. Stone

    Harold J. Stone

    Tony

    Adam Williams

    Adam Williams

    Ox

    Wesley Addy

    Wesley Addy

    Mr. Paul

    Willis Bouchey

    Willis Bouchey

    Dave Bronson

    Robert Ellenstein

    Robert Ellenstein

    Fred Kenner

    Featured Reviews

    J

    John Chard

    February 28, 2016
    7 / 10
    Unity is powerful. The Garment Jungle is directed by Robert Aldrich and Vincent Sherman. The screenplay is adapted by Harry Kleiner from "Gangsters in the Dress Business" by Lester Velie. It stars Lee J. Cobb, Kerwin Matthews, Richard Boone, Robert Loggia, Gia Scala and Valerie French. Music is by Leith Stevens and cinematography by Joseph Biroc. Alan Mitchell (Matthews) returns from the War to help his father Walter (Cobb) run the family fashion designer factory. Unfortunately he finds a business being protected by local hoodlum Artie Ravidge (Boone), who has the backing of Walter, and who is defiant in not letting the Union into the company. Things are about to turn very ugly and Alan is right in the middle of it. Robert Aldrich is uncredited in a lot of sources, but the film was 98% his work. Cobb had a sulk about where his character was going, it all came to a head and Columbia head Harry Cohn, not needing much of an excuse to fire Aldrich (who was sick as well), brought in Sherman to finish the film. Or at least that's the party line story... Aldrich's mark is all over the film, the harsher edges involving racketeers and violence are unmistakably his. The characterisations are pungent with varying degrees of menace, betrayal, cowardice and stoicism, with morals and ethics brought into sharp focus. Much of the pic is filmed indoors, which is a shame because when Biroc gets to photograph outside in the New York locales, we can see that we could have had a visual film noir treat. Instead we get a very good pro- Union drama with noir tints, though the softening of a key character, which Aldrich didn't aspire to, leaves you wondering just how much more spicy things could have been. 7/10

    Details

    StatusReleased
    LanguageEN
    BudgetN/A
    RevenueN/A

    Keywords

    #film noir#manhattan, new york city
    IMDb

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