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    "A film not to be missed."

    6.9•October 14, 1960•1h 27m
    Drama

    Storyline

    The relationship between Lelia, a light-skinned black woman, and Tony, a white man is put in jeopardy when Tony meets Lelia’s darker-skinned jazz singer brother, Hugh, and discovers that her racial heritage is not what he thought it was.

    Director
    John Cassavetes
    Writers
    John Cassavetes

    Top Cast

    Ben Carruthers

    Ben Carruthers

    Ben

    Lelia Goldoni

    Lelia Goldoni

    Lelia

    Hugh Hurd

    Hugh Hurd

    Hugh

    Anthony Ray

    Anthony Ray

    Tony

    Dennis Sallas

    Dennis

    Tom Reese

    Tom Reese

    Tom

    David Pokitillow

    David

    Rupert Crosse

    Rupert Crosse

    Rupert

    Davey Jones

    Davey

    Pir Marini

    Pir the Piano Player

    Victoria Vargas

    Vickie

    Jack Ackerman

    Jack

    Featured Reviews

    C

    CinemaSerf

    February 19, 2024
    6 / 10
    On paper, this jazz-fuelled, experimental looking, observation of racial tensions within a small group of friends made for an interesting concept. The execution though, well I found that really quite messy. There's three siblings. "Benny" (Ben Carruthers); "Hugh" (Hugh Lord) and "Leila" (Leila Goldoni) with the sister having a far fairer skin tone than her brothers. "Benny" is a bit of a loose cannon, going with the flow in life; "Hugh" is a musician who is having a bit of a crisis of confidence that not even his supportive manager "Rupert" (Rupert Cross) can pull him from and finally there's the sister. She meets "Tony" (Anthony Ray) and falls completely for his charms. When he meets her brothers, however, there's an immediate sense of hostility. Not a violent one, especially, just one with pretty clear racial undertones that sets the scene for a drama to unfold in a meandering yet at times quite potent fashion. "Leila" finds herself caught up between her family and her lover and as the temperature gradually rises and the jazz accompaniment - trumpets particularly - gets more frenzied, this all encourages the dynamic of the story to become more turbulent and unsettling. So far, so good. It's just the acting. It's not very good nor is it very natural. There's a constant fluidity to the scenario that doesn't tally when "Leila" becomes smitten. It's never a plausible definite in this story of transience and movement, and way too much of the atmosphere here comes from the soundtrack - performances are almost incidental save for a few brawling scenes that seem to suggest that's mankind's solution to everything. It is innovative, I'd give it that, but John Cassavetes fails to invest his characters with any qualities that made me want to care, one way or the other, so i just didn't.

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    Details

    StatusReleased
    LanguageEN
    BudgetN/A
    RevenueN/A

    Keywords

    #jazz#passing for white
    IMDb

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